Chapter Digital Transitions for a Comprehensive 3D Documentation: European Trends for Heritage Preservation

Simple item page
dc.abstractotherlanguageThe volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
dc.alternateIdentifier9788835155119
dc.alternateIdentifier10.3280/oa-1016-c446
dc.creatorMaietti, Federica
dc.creatorMedici, Marco
dc.date2024-01-11T15:41:58Z
dc.date2024-01-11T15:41:58Z
dc.date2023
dc.date.accessioned2026-07-25T14:06:42Z
dc.descriptionThe volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
dc.formatapplication/pdf
dc.identifierONIX_20240111_9788835155119_172
dc.identifierhttps://library.oapen.org/handle/20.500.12657/86783
dc.identifierhttps://series.francoangeli.it/index.php/oa/catalog/book/1016
dc.identifier.urihttps://dspace.dare.co.zw/handle/123456789/23157
dc.identifierdoi10.3280/oa-1016-c446
dc.languageita
dc.languageeng
dc.languagespa
dc.licenseConditionAttribution-NonCommercial-NoDerivatives 4.0 International
dc.pages7
dc.placepublicationMilan
dc.publisherFrancoAngeli
dc.publisherTransizioni = Transitions
dc.relationdiségno
dc.relationisPartOfBookb51f7945-d27d-4941-b230-9b49a7d6f5cc
dc.relationisPublishedBye2ddfb5e-9202-4851-8afe-1e09b020b018
dc.relationisbn9788835155119
dc.resourceTypechapter
dc.rightsinfo:eu-repo/semantics/openAccess
dc.source2939-2946_MEDICI-MAIETTI.pdf
dc.subjectTransitions
dc.subjectCross
dc.subjectModulate
dc.subjectDevelop
dc.subjectDrawing
dc.subjectScience of Representation
dc.subjectthema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design
dc.subjectthema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing
dc.subjectthema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
dc.titleChapter Digital Transitions for a Comprehensive 3D Documentation: European Trends for Heritage Preservation

Files

Collections

OAPEN